vol. 5 in the paris edits series, and two more classics get the parisian overhaul... as with all young pulse productions you always get a well crafted product and this release is no exception.

ever dreamt to travel to trinidad&tobago? disco segreta makes this dream come true with its 6th release: the muchawaited officially licensed reissue of this tropicalo-disco synth bass boogie atomic bomb, from the original analog masters.

written in late 1983 by mario baldoni aka miro (of -real life games- lp(1977) and brina s -stranamore- (1984) 7- fame, was originally released in july 1984 on the small pineapple label – a sublabel of armando sciascia s-vedette- – with close to no success and a pressing fault: a glitch on the vocal version, that affected all copies.
this tropical summerish blend of italo and boogie, along with the male/femalealternate spanish/english singing, turned into a true classic of the genre over the years, slowly making the playlists of the most respected djs and diggers worldwide.

the 4-tracks 12- features the original vocal and instrumental versions in theiroriginal lenght, carefully dubbed from the analog stereo masters and takenback to new life through disco segreta s usual respectful mastering. also, two new remixes are featured.

albrecht la brooy s analogue attic imprint returns this may with a solo project from one half of the duo, alex albrecht, under his newly formed melquiades guise... the past few years have seen albrecht la brooy steadily hone their unique spin on house & techno via self-released gems & acclaimed projects on night tide, voyage records and butter sessions, culminating with the release of their debut long player tidal river on apollo/r&s earlier this year . this solo material from alex s new alias (soon to be debuted on scissor & thread) takes a more dancefloor orientated approach. the material recorded live, retaining an improvised feel and managing to capture the surreal and mysterious atmosphere of the australian bush. combining atmospheric field recordings, jazz tinged double bass-licks and bright piano elements, all woven together with the label s trademark intricately programmed rhythms, the bluff ep is an engaging, mesmerising and addictive addition to the label s already well-loved output...

after their mental scapes and french kicks first eps on pont neuf records, french duo alva are back with a new 5-tracks maxi, steam lights, on their own imprint virage records. they carry on with in their deep/club vibe while bringing in some new and fresh sound designs. it oscillates between dreamy atmospheres ( all very slow , steam lights ) and hypnotical sequences ( mirage ), but there is an obvious common factor to the tracks : the groove, carried by strong basslines and punchy drums.-

the world of b. is like a giant disco ball, where she likes to dance all around and meet some friends to share some music: roger thornhill gave classic disco perfection, hysteric sent a letter from the far east, or maybe from italy, turbo boom-boom chewed a funky bubblegum song to make a housy rolling track and baerlz reworked a boogie track, just what it needed to have the righteous construction for the dancefloor.

2018 black vinyl repress - alex eveson is a talented man. not only has he made a name for great liquid tunes for labels such as creative source, v recordings, horizons, 31 records & ingredients, he is also a brilliant artist and graphic designer.

limited edition hand stamped 12” vinyl incl holographic sticker and hand screen-printed insert all housed inside a poly-bag.

four tracks of taut, relentless techno grooves rooted in the late 90’s tradition of energetic and ravey & jacking tracks to rock the dancefloor. no surprise there are passionate and skilled dj s behind this project... ben sims & truncate have formed to create assailants. their new studio and b2b dj project’s first output comes on the new imprint, obscurity is infinite. early support from robert hood, ben klock, luke slater and mark broom. all killer!

after bursting onto the scene in late 2017, hyperloop makes his drumcode debut with green velvet in toe. followers of truesoul will be clued up on the quality one can expect from hyperloop. last october he marked the label s 100th with in the loop , a superb three-tracker that signalled his arrival on the scene and highlighted a stunning year for the label. as 2018 picks up pace, hyperloop returns with a tougher follow up for drumcode. his mentalizm ep is a classy example of his versatility, a trio of original works, accompanied by two dj tools. beginning on a menacing tip, in your mind (reflections) is a low-end brew of industrial stabs, eerie melodies and subterranean vocals. ‘s-sound is his collaboration with chicago legend green velvet and is a percussive masterstroke of loops and drum riffs which drive the eight-minute track with all the puffing ferocity of a steam train. spring on the battlefield is the perfect contrasting accompaniment, as a warm rush of strings covers a bed of intricate analogue effects and stomping kicks.

joia records releases joia021, joia036 and joia047 all bundled up for one special price!

having taken its natural course over the past 18 months peckhams yam records are making the move from retail to production. continuing our celebration of local talent, both unsung and established, we aim to bring all styles of music together under the yam recordings wing. theyve been a permanent and ever­-hilarious part of the shop since day one so it only seemed right that our first release should feature chaos in the cbd. distilling their sound over the past few years, beans and louis make the highest quality house music, which is perfectly demonstrated on this two­-track ep. global erosion sees long­-time collaborator isaac aesili contribute horn hooks and live percussion to this truly deep and emotional journey. on the flip, background explorer turns up the heat with an 8­-minute heads­-down transcendental percussion and drum workout, the surging chords and rainforest calls forcing the head to follow the feet.

played by ben klock! emotional, physical, blunt, modular and exciting. joton on odd even! joton is synonymous with dark techno, iron, futuristic and sensitive, all mixed with the precision and speed of a surgeon. outstanding conceptcover, shrinked and high quality pressing. cut and mastering by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

its time for magaritas. dresdens master of the sampler alexander scharf chops up cheesy germanness for greater good and varying experiences: schlager-upcycling it is. -nur mit dir- is a lovely summer day s theme, the anthem of freshly found or long lasting love, the hymn for the night with your loved one. -ode an die fröbbe- is the morning after. the morning after the morning of too much togetherness: honestly weird and weirdly lovable. in the end -grünalge christian- keeps it all together. thank you, christian. thank you, schleander.

let’s boogie! opulent gestaltete lp-kompilation mit remasterten disco-tracks auf 180g-vinyl.

b from e, an uncommon name but surely soon to be know. this young danish/mexican talent has already released a successful ep on copenhagen underground posse, but now heads for 2018 with a rock solid 3 track ep at traxx underground! b from e delivers a classic and very melodic house sound, in a fusion of us garage and soulful deep house. he is pointing for the stars and ready to spread love, all over the world!

nubian quadrant ep sees dutch producer philou reaching for that sweet spot between afro and electro to produce three pulsing new tracks for byrd out. as philou says, -all good music ultimately comes from africa-, and true to his african roots, the ep was part recorded in malawi. with his tracks being picked up by the likes of erol alkan and eats everything, this ep is sure to provide the rhythmic backdrop to the summer. if you imagine the driving force of fela kuti matched with the acid sqwelch of phuture, you re part of the way there. it s dancefloor sunshine on vinyl. mastered by the legendary noel summerville, artwork by g.s-l studio.

jb edits the edit project of sydney, australia based house dj & producer jerk boy. he’s now turned his focus to vinyl only dance floor edits of all his favourite boogie, balearic, funk, soul & disco tunes cut, sampled, tried and tested for lower lights, bright nights and the ultimate dance floor jiggathon.

a jazz tribute to bob dylan.

the voice bei der arbeit: kompilation mit den schönsten swing-stücken des legendären sängers.

support from: a:rpia:r, barac, cezar, livio & roby, nu zau, priku, vid, sepp, wareika, etc. romanian born ada kaleh has gained international appreciation with his sensible compositions, a deep exploration into techno and analogue, where natural sounds and frequencies abound. after releasing several records in which we discovered his love of experimentation and got acquainted with his unique manner of layering sounds as to create immersive spaces, ada kaleh reinvents his style once again with >dene descris< lp, on his homonymous vinyl only label. the album will be released in two 2x12inch parts, the first one coming this december and including four tracks. >dene descris<, which means >indescribable<, is indeed better listened than described, as each composition allows the listener to write their own story in the space ada kaleh creates. >dene descris< part one reaffirms ada kalehs incredible mastery and knowledge when it comes to production and his desire to go all the way with an idea - from titles to artwork, everything is well thought and connected, but always leaving room for the listener to feel their own worlds through his music.

having established itself with innovative releases from the likes of lucy, blawan and roots in heaven, the experimental zehnin label now looks to paleman for four more fierce tracks. now often releasing on his own plmn label, this classically and jazz trained artist has previously won plenty of fans and plaudits for heavyweight rollers on labels like swamp 81, 81 and school records. emerging from the ashes of dubstep to come up with his own deep techno sound, he is a rinse fm regular with his experimental show ‘trenches and mirrors this exploration with tracks full of texture, modular synthesis and visceral percussion. opener ‘2068 is a dark and foreboding bit of economical techno. monolithic kicks set a forceful groove below as they rock back and forth, and factory floor sounds, scurrying little sonic details and rattling hits all peel off the groove as it powers on

katharsis was originally a regular party organized at the infamous contact, tokyo, the home of the electronic music scene in japan. in 2017 katharsis recordings was launched, with the first release being touted by many in the japanese techno scene and played by the likes of dj nobu at dekmantel.the second release will be scripted with another compilation of 4 japanese artists. the first on the a side, mikuni kaido by head honcho masafumi take, is a fresh track that combines nostalgic arps and analogue bass. the other main member kannabi s track -shoka- on the b side is an abstract rhythmical piece that evolves slowly. the second track on the a side -kirisame- is by a new member o-ma. a modular synth enthusiast, his unique analogue sounds are a trademark of his tracks. the last track on the ep is -yoake- by veteran ryogo yamamori. the rolling beat and spacey synth sound gradually build up to a climax and makes this track perfect for the dance floor. all 4 tracks are distinctly different showcasing the identity of each artist. this new movement represents a fresh approach to the japanese

jaars other people is pleased to present a new solo record of guitar and live custom electronics artist patrick higgins, an american avant-garde composer and producer from new york city. higgins is known for his work in experimental and contemporary classical music, playing guitar and composing in the mythical avant-noise-jazz ensemble zs. his solo work as a composer unites european avant-garde forms with the post-minimalist howl of new york. his upcoming release on other people, dossier, is a four-movement piece performed live without overdubs or edits. all of the samples and synthetic patches were custom built and specifically engaged to become elements of live guitar manipulation. the sound world is post-apocalyptic in spirit but builds to an intimate and reflective end. the material was developed over a two-year period and finalized at the end of 2016. cover art is by alfredo jaar.

for all friends, with our smiles :)

k15 returns to wotnot after more killer releases on eglo & wild oats, a collaboration with henry wu, and remixes for nubya garcia, colm k (on tiffs joints) and wotnot s own william florelle, not to mention the beautiful record earlier this year under his culross close alias. we re all creative but somehow, being creative has become a class within itself, often defined and measured by the whims of popular culture and monetary gain, which leads us to devalue what we create if we are not successful by those metrics. we are all creative, we all use our experience, talent and feeling to shape and we should be glad we create anything. this ep holds onto this mantra tightly throughout, reflecting both the meditative and joyful effects of unimpeded creativity. the title track begins with k15s signature introspection, deep washes of jazz-inflected textures before exploding into a rapturous syncopated synth groove. b1 communion explores the spiritual angle with a devotional piano cadence over bouncing drum pattern, with interlocking bass and synth rhythms adding to the hypnotic mood. wrapping up the release is a warm, deep-soak hip hop instrumental titled you re alive (theres still time), a message to self but also a beacon of hope to those who have maybe not created as much as they would have liked, or have strayed from the path the intended to take.

no doubt, -sistema lunar- is the masterpiece work to date of la s producer rigopolar. the best giorgio moroder hedonist style is totally present here but with a modern approach that makes of it an absolute instaclassic capable of burn up any dancefloor of the planet, this is a truly gem for any important collection. it arrives on 12&#8243,,, maxi-single ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid yellow vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem

for its seventh offering, sol power sound taps into the pulse of the french antilles for tambours de martinique, a blistering ep of original and remixed versions of rare, drum-centric dance floor workouts. licensed directly from the legendary martiniquan label hibiscus records, the ep features cuts by eugène mona and max ransay, two of martinique s most storied musicians. with reworks by spanish dj and producer kiko navarro and the sol power all-stars, this one will be in the record bags of discerning djs all summer long.

the russian act galate&#769,,e is responsible of some of the best syntwave and synthpop tracks of the past decade. -re&#769,,trospective ep- selects the best of the best of their stunning minimal beats with impossible synth arpeggios surrounded by french poems, there s not much more to be said, it s galate&#769,,e .... it arrives presented on 12&#8243,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem.

ahead of a full-length album coming on glitterbox recordings, the king of disco re-edits dr packer presents the second instalment of this 12inch series. different strokes part 2 features four dr packer versions of soulful house favourites, giving a flavour of whats to come from the lp. kicking off with a bonafide classic, dr packers take on soulsearchers cant get enough! maintains all its most iconic elements, the euphoric vocals and timeless groove given a fresh-sounding elasticity. next up is dr packers remix of the shapeshifters evergreen lolas theme recut appearing for the first time on vinyl. an exclusive to this vinyl release, a remix of johnny corporates sunday shoutin picks up the pace with a funking bassline to suit any dynamic disco set. rounding off this foursome of impeccable remixes is cleptomaniacs featuring bryan chambers all i do, a vocal house classic from the early noughties, reinterpreted masterfully for todays glitterbox dancefloor which was originally featured on the labels a disco hï compilation. dr packer has done it again, breathing new life into your most beloved dance records so you can fall in love with them all over again.

"prestige music continues steadfast in 2018 with a fresh 12” from the likes of bram schrooyen, aka phase. contributing remarkably to the catalog with “anything for you”, featuring astrid destuyver; a beautifully warm piece rolling over classic key strokes, and coupled with sultry vocal overtones. in stark contrast, “diffusor” boasts relentless beats and breaks, pounding bass rhythms, and delivers shock to sound systems. a very special release for all the vinyl heads, and will find itself available worldwide by summer ’18."

jack white finally releases his eagerly anticipated new album, boarding house reach. it’s the 12-time grammy® award-winner’s third solo lp and first all-new album in nearly four years.

there is a hidden place between science and magic. a secret playground where brainwaves rejoice and wander around. and, guess what, modified perspectives is all you need to reach it.

the italian act geometric vision has earned a solid reputation as one of the best post-punk bands out there. this ep, with specially remastered versions, is an extract / advance of their very awaited new lp -fire! fire! fire!- to be released next april 23 at swiss dark nights on digital / cd and on vinyl standard lp version on manic depression records. somehow near of the best the cure but with clear reminds to the stone roses for the exquisite use of the reverbs and delays on all tracks, but all that, surely, with a more agressive and darky approach. volkan caner of she past away helps gv to close this ep with the amazing -jelly dream-. it arrives on 12&#8243,,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem

the spaniard act am is our last national discover. coming from valencia, a city that on the mid 80 s has been with brussels and manchester at the european vanguard of the most advanced and darkest beats. am, clearly influenced by those days of glory, presents on their vinyl debut an outstanding ep that sometimes could remind to the best front 242 period and sometimes could remind to be listening to the late 80 s newbeat top hymns at boccaccio, surely anyone will remain indifferent to am. it will be presented on 12&#8243,,,,,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially mastered and remastered for long cut vinyl by eric van wonterghem

solar phenomena are keeping up a busy and high quality release rate in 2018 with a fifth offering already. this one is a three tracker from stl, who already released his “if time would move backwards” ep on the label earlier in the year. the title track opens the account with blown out drums trudging along in ever changing patterns. swirling, lo-fi ambience adds scale to the track and encourages you to get lost in the middle of it all. “weed detective” is ten minutes of psyched-out and stripped back drum work at an inviting mid tempo. keys dance and heavily treated vocal sounds trip you out in slow motion. last of all, “scubbu babe” has finger clicks, bright and mild crazed keys and ad libbed vocal sounds all doing gymnastics round more of those trademark drums. once again, stl proves he operates in a world of his own.

all that was fire and only ashes were left.
no matter how many times we burn, as the scum, we’ll grow again.
“proudly introducing the last maxi-single i’ll be releasing this year. (no don’t worry, oaks is fully scheduled so you will hear from us). for the first time, i’m releasing a 4-tracker with highly emotive p(f)unktional music, for the warehouse or the club. these songs are written in a certain mood and i suppose that they accomplish their purpose. the willing to get lost, avoid reality and at least for some time forget this mad world that surrounds us. please do not stop the rave.”

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. »applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«. the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

following his celebrated fusion (broadcast mix) 12inch, will dimaggio returns to future times with debut lp, at ease. recorded 2016-17 at the now-illustrious fairview ave spot alongside roommates dj python, anthony naples, and the exotic dance crew, at ease is equal parts dizzy street beats and live keyboard action.

those who preordered, do not have to do so again - we will contact you when we have stock! this ep is a collection of songs that were recorded during the past couple of years, says baba.they all represent things ive been going through, just day to day stuff travelling, djing, meeting people, being alone a lot, falling in love, parties, hang overs etc. showtime as a title just means its showtime. before every gig, every day of travel. always somewhere. pressure, stress, excitement. gig-economy self-loathing and megalomani. swedish-born 24-year-old baba stiltz (real name) has been steadily releasing his idiosyncratictake on dance music to growing fanfare. a playful brand of electronic music that crosses boundaries and genres unlike many before.opening the ep withjazz inflected slow-jam showtime and peaking with maze-the kind of summer floor-filler babaissucha natural at crafting-his range is fully on show for the showtime ep.

“lost tracks vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999. the duo fused 80’s european new wave/italo disco with 90’s detroit electro acts like le car and dopplereffekt. by utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. their studio set up at the time was a korg ms-20, roland sh-101, tr-606, tr-808, siel dk80, and boss dr-660 drum machine. the songs are direct, spontaneous, seemingly improvised in places. miss kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive french accent. all songs have been transferred from the original dat tapes by the band and remastered for vinyl by george horn at fantasy studios. the vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. each lp includes a postcard with liner notes from miss kittin and the hacker designed by eloise leigh. as miss kittin says of these demos, “we were naive, innocent, adventurous and we didn’t expect anything in return”

available again! soul jazz records new 2018 edition of their long out of print classic first “deutsche elektronische musik – experimental german rock and electronic music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (the guardian).
featuring a stunning line-up of groups including cluster, can, faust, popol vuh, neu!, amon düül, harmonia, la düsseldorf and tangerine dream as well as a host of lesser known groups such as kollectiv, ibliss, between and many more. this new edition is fully re-mastered and features all the original artwork and tracks.
the vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

available again! soul jazz records new 2018 edition of their long out of print classic first “deutsche elektronische musik – experimental german rock and electronic music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (the guardian).
featuring a stunning line-up of groups including cluster, can, faust, popol vuh, neu!, amon düül, harmonia, la düsseldorf and tangerine dream as well as a host of lesser known groups such as kollectiv, ibliss, between and many more. this new edition is fully re-mastered and features all the original artwork and tracks.
the vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

while the first part was all about house music in a more classical way, concrete resident sweely is showing another side of his skills in “les chroniques de monsieur montana part ii”, going in a more minimalistic and after-hour oriented vibe, but always with the funk, the sense of melody, and the deepness that made the succces of the previous release.

nice price deal !!! titonton duvante s residual imprint has long been considered one of the most respected house-leaning labels in the game. over the course of the past two decades, the ohio-based label has housed works from some of the scene s foremost players, with the likes of boo williams, john tejada, demarkus lewis and volcov among those who ve repped the tight-knit label with distinction. the label s latest is another high point for all concerned. a v/a featuring the works of duvante & andreas saag as well as garrett david, todd sines (under his .xtrak alias) and fym, it s a wonderfully varied and exciting release that speaks volumes of the label s ability to consistently churn out top drawer house music.

colin potter is a sound engineer and musician currently based in london. he has worked within the fields of electronic and experimental music for over 35 years, collaborating with the likes of current 93, the hafler trio, organum, andrew chalk, and most notably as a key part of nurse with wound alongside steven stapleton. he started the esteemed icr (integrated circuit recordings) label in 1981 releasing a clutch of wonderful home recordings of his own, over half a dozen small run cassette only releases. ‘the where house?’ was recorded in 1981 at ic studio, a converted wash house in sutton on the forest in north yorkshire. the album was self-released on cassette that same year via icr. this expanded double lp edition features all 13 tracks from the original tape on vinyl for the first time plus 4 bonus tracks. ‘the where house?’ is a prime example of early uk post-punk/industrial electronic music. “combining dub, electro, and krautrock rhythms with psychedelic, kosmische noise in multiple mutations ranging from almost pop-wise songcraft to horizon-scanning motorik flights,” says boomkat. most of the damage was done by colin using guitars, synths, sequencers, drum machines, percussion, and modified toy keyboards with fairly primitive 4-track recording equipment. he was assisted on some of the tracks by stephan jadd-parry (guitar, percussions), jon caffery (guitar, bass, e-bow, percussion) and nick jackson (synth). all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the record is sleeved in a replica of the original cassette artwork by jonathan coleclough. every copy includes a double sided postcard insert with notes from colin.

dark entries is honored to re-issue one of the greatest and most overlooked albums of the 1970s. time actor was the result of a collaboration between legendary crazy world & kingdom come visionary arthur brown and german synthesizer and ambient genius klaus schulze, recording under the pseudonym of his alter-ego richard wahnfried. richard is the name of klaus son born in 1979, and the first name of the german composer wagner. wahnfried is the name of richard wagners house, from the german -wähnen frieden fand (that his search and hopes will find peace). the album was a unique fusion of brown s eccentric musical vision and schulze s mastery of synthesis. the album was originally released in 1979 on the german innovative communication label. time actor stands out amongst schulze s massive catalog as a masterwork of avant garde new age. schulze helms the project on electronics, and guests include michael shrieve on percussion, vincent crane on keyboards, and vocalist arthur brown, who sings – or should we say, speaks – on top of it all. schulze describes the wahnfried project in the liner notes as “the collective pseudonym of an idea: time-electronic, an experiment between avantgarde and muzak: utility-music for sound-covered environment, in which a new generation grows up: richard wahnfried is this generation: music between genius and nonsense: new ideas transported by an old medium to your ear.” this newly re-mastered reissue expands the original 60 minutes of music across a double lp to help with playback and distortion experienced on original pressings. we’ve added a bonus track in the form of a cosmic 12-minute extended remix by italian producer and dj maurizio delvecchio from 1983. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in a gatefold jacket with original album artwork featuring a surreal painting by german artist peter nagel plus lyrics and notes. “i wish you plenty of time” - klaus schulze

comprised of vancouver producers and multi-instrumentalists nick wisdom and astrological, canadian duo potatohead people boast a number of noteworthy accolades thanks to a their signature sound drawing influences from 90 s boom-bap, future soul, classic jazz, deep house and boogie/funk. beginning with a series of ep s, including their landmark -kosmichemusik- ep, potatohead people s productions quickly made their way to artists like illa j who tapped the duo to produce his now critically acclaimed self-titled album, as well as producers like kaytranada (who co-produced illa j s -strippers- with the pair). supporters such as soulection, nightmares on wax, pomo, dj spinna, big boi, and phife dawg have also played formidable roles in championing the sound of potatohead people worldwide.

limited edition picture vinyl - no repress!

delsins reissue arm once again looks to the revered back catalogue of lost trax for a second 12 that picks out the best of the anonymous collectives work. the ep features five cuts taken from two highly sought after eps released on tabernacle records in 2011 and 2012. the eye opens things up with punchy drum programming and the sort of sci-fi effects and synths that immediately take you to a future intergalactic world. its a weighty but emotional opener, while pulp is more twisted and urgent, with warped synth sounds and busy, bristling drums and perc all building pressure throughout. the forest resets the mood with mystic synths and mysterious atmospheres that mix ambient beauty with suggestive skeletal beats. b01 then canes through the cosmos on a detroit electro tip with slithers of synth, swollen pads and crisp hits and dominion rounds things out in hurried fashion. the restless electro drums pound away as prickly snares and cymbals, blurts of machine noise and sweeping pads all wrestle for attention and keep you on your toes. this is high octane electro and techno designed with metallic precision but oozing plenty of human feelings.